Thursday 2 October 2014

UNESCO heritage- Champaner & Pavagadh archaeological park

Mumbai> Vadodara- Champaner & Pavagadh> Mumbai

It was an 11th hour plan to go on a road trip all the way to Vadodara and to this UNESCO world heritage site called 'Champaner- Pavagadh archaeological park'- being called so due to the archaeological remains of this erstwhile capital of Gujarat- scattered in diameter of 6-7 km- ranging from many 15th century mosques & mausoleums, fort walls/ arches to Hindu and Jain temples, a step well and other minor buildings.

Day1:
Me and my friends left from Mumbai around 8 AM for Baroda. Except for some traffic at Ghodbunder junction, we cruised ahead smoothly. 
Couple of hours later, we crossed into Gujarat and left behind the Gujarati towns one by one very speedily- Vapi , Pardi, Valsad, Navsari and Ankaleshwar and so on… and then we got stuck just before the Narmada crossing bridge near Bharuch. I heard from friends that it’s a regular scene here due to some construction activity, only two lanes are kept on to go towards Bharuch and ahead. We nearly wasted a little more than an hour in the traffic maneuvering slowly- waiting for our turn to cross Narmada. 
Post crossing the Bharuch bypass, the last 70 km was again a cake walk. An hour later we entered Baroda - around 4 pm. We first decided to head straight to Baroda’s main landmark- the LaxmiVilas palace of erstwhile kings- the Gaikwads. 
Laxmivilas palace was built in 1890 by Maharaja Sayajirao Gaikwad III in Indo- Saracenic style of architecture with lot of influence of Maratha architecture. The architect of this magnificent building was Major Charles Mant. 

Laxmivilas palace- Vadodara
As one enters inside the palace compounds, there is plenty of space for vehicular parking for Visitors. Close by is the ticketing counter (Rs.170/- per head in 2014). After buying the ticket, one has to start from the backside of the building and enter a small alleyway which then opens into a stunning courtyard in the middle of the palace. Just over there, is the administrative office of the palace from where one has to collect the audio guide for the palace. It is available in Marathi, Gujarati, Hindi and English. (One thing about Baroda is that almost the 40% of population here is Marathi as are the kings- and almost everyone understands Marathi here including the rickshawalas)
The audio guide took us to the important viewpoints outside the palace- like the Mayur kalash in the front lawn and the large circular pond like space adorned with statues of naked human figures and other animals. The most amazing thing about roaming in the front lawn of the palace is that its lush green surroundings are home to hundreds of peacocks and other animals. Appreciating the grandeur of this palace amid the squealing of peacocks is indeed an unmatched experience- of course in a suitable weather.

Laxmivilas palace- Vadodara
After clicking pictures from outside, the audio guide led us to the entrance porch. Photography in the interior of this palace is strictly prohibited. The entrance hall of the palace is a small but extremely beautiful space which has metal sculptures done by famous Italian sculptor- Fellici on both sides; while in the center is a huge vase with mermaid murals on it. The entrance hall is a tall space with 4 dramatic chandeliers hung from its tall ceiling.
Moving ahead from the entrance hall, one sees flight of stairs leading to upper floors occupied by the Gaikwads- which are not open for public. The corridor on the right leads to the armory of kings- which exhibits hundreds of weapons from their private collection- belonging to the great Shivaji, Mughals and British era. Especially worth seeing are the massive swords, the thorny Gada (mace), the machine used for releasing Sudarshan chakra in direction of the enemy and waghnakh (literally- tiger claws) used by Marathas.
The only other space in the palace, open for public is the- Darbar hall. The darbar hall even though features ornate artwork, looks largely plain compared to huge the mass it encompasses. Its walls have busts and paintings of the erstwhile kings and queens on both the sides. 
The palace compound also has Fatehsingh museum which houses original paintings by Raja Ravi Verma. The 700 acres compound also has a cricket stadium and a golf course other than the massive open lawn and jungle. 

Laxmivilas palace- Vadodara
Finishing with the palace, we went to Ginger hotel where we were going to stay tonight. 
Late eveing, we again went out for a stroll. It was the time just before the Ganeshotsav. Baroda seemed all ready to welcome its favourite deity. Some Ganesh idols were already on their way to the pandals. Everything around was lit up and everyone around looked so very cheerful!
We then visited a few malls in Baroda and then headed for dinner at the famous Kansaar hotel near Baroda station for Gujarati thali. Not to mention, we stuffed ourselves beyond the limits, came back to hotel and crashed in the bed. 

Day2:
We started from our hotel around 7 AM to go towards Champaner. The roads were empty as expected and without any traffic we exited from Baroda on the Baroda- Halol state highway. 
The highway is so smooth and clear of any obstructions that we reached Champaner village (approx 40 km from Baroda) within 40 minutes. 
‘Champaner- Pavagadh archaeological park’ roughly consists of two parts viz. Pavagadh- which has ruins of fort of Hindu Raval kings and Champner- the earlier capital of Gujarat constructed by Mahmud Begada- the Muslim ruler of Gujarat. While Pavagadh mainly consists of Hindu and Jain temples, Champaner consists of Islamic buildings like mosques and tombs. Base of Pavagadh mountain is approx. 4km uphill from Champaner base village.

View of Pavagadh hill and Kalika mata temple
We decided to start our tour of the area by first paying a visit to the famous ‘Kalika Mata temple’ atop Pavagadh hill. This temple- which is considered to be one of the 51 shaktipeeths;  attracts thousands of pilgrims every day. The road to Pavagadh cuts through the lush greenery of Jambughoda wildlife sanctuary which Champaner- Pavagadh are part of.
At the base of the Pavagadh mountain, there is parking facility for vehicles and from here, the mountain top can either be reached by climbing steps or opting for a ropeway which takes approx. 6 minutes one way. Needless to say, we chose the second option. The two way ropeway ticket costs Rs. 98 ( in 2014). Even though we traveled here on a Sunday, the ropeway seemed pretty empty. With the view of misty mountains around, we reached the top. Oh wait! But this was not it. The temple was still 500m away from here. The 500 m walk has shops on both sides, selling food, prashad and devotional music cassettes. Most common here are the photo studios with colourful pictures of Goddess and the temple; in front of which the pilgrims still prefer to take pictures maybe as a proof to take back home, that they have performed the holy Pavagadh yatra. With no meaning to hurt their sentiments, it certainly looks very funny to the urban pair of eyes like mine.
On the way to the Kalika mata temple, we crossed two Digambar jain temples and a LuvKush temple located around the Teliya Talav. Finally after 10 minutes we reached the base of the temple and bought the Pooja thali to be offered to the Goddress. From here, the temple is approx. 100 steps away. The carved stones on the sides of the steps are worth noticing. (Photography in the temple is prohibited.)
Since the temple itself is very very small, the queue moves pretty rapidly. Only 45 minutes in the queue and we got the proper darshan of the Goddess.
We decided to eat something in the eateries on the way before proceeding back to Champaner. Yummy breakfast of Poha and Khaman and we were all charged up. Just near the ropeway station on the hill, there is beautifully carved but ruined 11th century Shiva temple known as Lakulisha temple.
If one has time, it’s advised to go down walking as there are other Jain temples and ruins of forts, Makai kothar, navlakha kothar (both storehouses for grains), walls and gates on the way which would be missed if gone back down by the ropeway again.

Thats Lakulisha temple behind me
We reached the Pavagadh base and got into the car to descend towards Champaner. On the way down to Champaner are large and probably the best preserved ruins of the lower portion of Pavagadh fort. Also in the vicinity are the ‘Saat kamaan’ the seven freestanding arches which are seen on the tickets of any world heritage site in India. But…. but... but.. these areas are highly infested by aggressive langoor monkeys. We dared to walk in but the scary langoors surrounded us from all sides and literally started threatening us to turn back at once. Not interested in any unwanted adventures, we instantly turned back in 180 degrees and moved into the car. Broken walls, gates, a broken mosque and other ruins continued on the way till we reached Champaner.

Entry gate to Champaner citadel
Champaner fort is built completely on a flat land. Through one of its main gates, we entered inside (yes you can take your car inside). The first masjid on the left is Sheher Ki Masjid. This is where we can buy a ticket which is valid for all the monuments of Champaner costing Rs.10 (in 2014).
Shehar ki Masjid is one of the only two mosques in Champaner which have guards and ticket counters (other is Jami masjid) and is the only mosque located inside the Champaner walled city- hence the most accessible of all.

Sheher ki masjid- Interior view through the colonnade 
 “It is one of the most imposing structures constructed very close to the royal enclosure. It might be the private Masjid of the Sultans with five mehrabs. The main entrance is through an arched doorway flanked by two minarets. It is covered by a projection, sloped chhajja. Two more entries on either side of the central one are flanked by jharokhas. Corresponding to each arched entry is a large dome, surrounded on all its four sides by smaller domes. A rectangular ablutions tank was constructed on a platform.”- Information by Archaeological survey of India.

Sheher ki Masjid
Sheher ki Masjid
interesting latticework at Sheher ki Masjid
Moving from Sheher ki masjid, driving through the Champaner village, we reached Jami masjid only to see a lot of pilgrim crowd there. We decided to move ahead and come back to Jami masjid little later. On the same road that of Jami masjid, is an intersection of main road with a kutccha village walkway. The right side road leads to the Kamani masjid (500m inside the intersection)- called so because today only arches remain of its original architecture. Nevertheless it still looks as stunning even now.

Path leading to Kamani masjid
Kamani masjid
Kamani masjid
While searching for the Lila Gumbaj ki masjid, we took wrong way and landed in the fields of locals where we found this small tomb in the middle of the fields. (Yes there are many such small structures scattered here and there all around Champaner- Pavagadh). The only different feature of Lila Gumbad masjid is that this mosque has its central dome fluted while none of the other mosques sport a fluted dome.
We came back to the main road and drove further to ‘Vadtalav’ which has ruins of palace and kabutarkhana- which is thought to have served as Sarai i.e. shelters made by kings for the pilgrims. This area is very secluded and no tourist seemed to have come this far.

Some random tomb in the middle of rice fields
We returned to the Jami masjid- the grandest of all; also often called as the mosque with the best architecture in all of Gujarat.
“It is one of the finest mosques of Gujarat. This is a gigantic structure with two imposing minars on either side of the central entrance to the prayer hall. The dome behind the high central screen of the façade is elevated on two extra storeys of open arcades. The roof just behind this dome is filled by a carved slab of great beauty and ingenuity of workmanship. There are seven mehrabs (prayer niches) in the back wall of the main prayer hall, the central being more elaborated. The northern section of prayer hall was separated by a perforated screen, reserved for ladies from where an extra entrance was provided. A pillared corridor goes round the vast court yard opening inside in ogival arches supported by pillars. The Mosque has three entrance porches to courtyard but the eastern porch is most remarkable for its intricate carving and Jaali work. Outside the mosque, there is an octagonal tank with steps for ablutions. Construction of mosque is datable to late 15th century A.D” – Information by Archaeological survey of India.

Entry porch- Jama masjid
Main features to look out for in Jami masjid are the dividing lattice screens within the mosque, one intricately carved ceiling panel near the main mihrab, the jharoka like structures protruding on the back side and the ablution tank outside the mosque.

Jama masjid
Jama masjid
Jama masjid- facade
intricate brackets under a projected window- Jama masjid
An intricately carved ceiling panel- Jama masjid
Latticework- Jama masjid
Entry porch- Jama masjid
A very narrow walkway from the rear side of Jami masjid takes one to Kevda masjid after a walk of 700m. We were unfortunate that it had just rained there and the walkway was full of muck and we had to make way through knee deep muck. (yes there is no other way to reach the mosque! This is the only way that gets you here. Cars can take u inside in winters and summers at your own risk)
This very pretty mosque that we saw after all this, didn’t make us regret the pain we took to reach here- even a bit!

Kevda masjid
carving on the minarets of Kevda masjid
“It is rectangular on plan with a double storeyed main prayer hall. The two minarets on either side of the central arched entrance are beautifully carved and niches are filled with floral and geometrical designs. The windows provided with pillared balcony are beautiful and exquisitely decorated. Originally the mosque had three domes built above the prayer hall but the largest central dome has collapsed. The complex also comprises of a well, tank for ablutions and a few ruined brick structures.The square cenotaph located in front of the mosque has fluted central dome and four corner domes.”- Information from Archaeological survey of India.

Kevda masjid
Kevda masjid and cenotaph
Further on the same road, walking through thick forest for another 700m is Nagina masjid- the most remote mosque in Champaner. It is a huge structure built on a high platform with large open space in front. The main entrance of the mosque is flanked by minarets on either side the minarets are carved artistically and the niches are filled with floral designs. The Mosque has three large domes constructed over the main prayer hall supported by decorative columns and windows.

Nagina masjid- sign board
The double storeyed central dome of main prayer hall is provided with balcony. The complex of mosque also comprises of a few brick structures, well etc.
The cenotaph located on north eastern side of the mosque has openings on all cardinal directions. Facade as well as the columns and niches on the wall of the cenotaph are beautifully decorated and exquisitely carved with floral and geometrical designs. A series of beautifully designed projecting corbels decorate the cornice, with geometric motifs at regular intervals. These motifs are repeated on the base, both inside and outside. The dome of cenotaph is missing.

Nagina masjid
Little after we started walking back, it started drizzling. And within no time it was raining cats and dogs with no shelter anywhere close by. Closest was the Kevda masjid. We started running in that direction- not for our lives but for the sake of our expensive DSLR cameras.

Carving on the cenotaph at Nagina masjid
Nagina masjid
Cenotaph at Nagina masjid
Cenotaph at Nagina masjid
5 minutes..10 minutes.. 30 minutes.. an hour.. the Rain God didn’t budge and it had started getting dark too. Thankfully we had one plastic bag, we stuffed our cameras in that and ran through the mud walkway which had now turned into a river. By the time we reached our car, we were out-n-out wet and our feet covered with muck. There was no way we were getting into car like this. With no place to change the clothes, we had no option but to use towel and change our clothes on the road! Yes on the road! 
Now we started back in the direction of Baroda. One comes across Shakar khan’s tomb on the main road near Patal lake. On the opposite side of the tomb, there are small pathways leading to a small helical stepwell and Ek minar ki masjid one after the other. The ek minar ki majid has only its one minaret left and rest of its features are destroyed. 
Finally the rain stopped and we halted on highway for our lunch cum dinner and headed towards Mumbai…

Thursday 15 May 2014

Odisha odyssey

Mumbai- Bhubaneshwar- HirapurDhauli -Ratnagiri- Udaygiri- Khandagiri & Udaigiri caves- NandanKanan zoo- Puri- Raghurajpur- Chilka Lake- Konark- Bhubaneshwar- Mumbai


Again one of those study tours in my B.Arch. days… 30th October…

Day1:

A total of approx. 120 excited students from our college were to depart from Chhatrapati Shivaji Terminus, Mumbai by Konark express to Bhubaneshwar. We being such a large group, obviously faced a lot of problem at the station itself for settling down. Students dispersed throughout the train because of randomly allotted seat numbers, the neighbouring crowd of general class, multiple people allotted a same berth- the usual IRCTC mess just added to all the chaos. The whole frustration was obviously taken out on our poor tour manager.
At 3:15 in the afternoon, the train finally left from CST and soon by 5, our tour guy even succeeded in shifting us all in the same compartment. This mattered more than anything due to the dreadful 36 hours the train was going to take to cut across Maharashtra and Andhra to finally reach Odisha.
Needless to say we slept really really late that night…

Day2:

Very late in the morning we got up to find our train running so fast as if it was competing with the wind! Our cell phone messages showed us that we had already entered Andhra few hours ago. Around 12 noon, the train halted at Secundarabad- where one of our favourite faculty members joined us in the train.
Whole day passed in playing cards, market, gossiping and night ended up with the clichéd ghost stories.
Midnight we arrived at Vishakhapattanam. Being a long halt, some got off to charge their emptied batteries and some to buy chips.

Day3:

Early morning 3:45, we all were asked to get up saying Bhubaneshwar was expected any moment.

Bhubaneshwar was a nice- clean but a very small station. A bus was already waiting for us outside the exit to take us to the hotel- where we passed out again.

After completing our sleep, we left at 7 AM for Dhauli- 8km from Bhubaneshwar. Dhauli is where the great Kalingan battle was fought and the Daya river flowing by turned red with the blood of the deceased- which made king Ashoka realise the magnitude of horror associated with the war. Later Ashoka built a lot of stupas, chaityas and made sure Dhauli turns into an important centre for Buddhist activities.

What remains of it today are only the rock edicts and a sculpture of elephant’s foreparts. This elephant sculpture is also the oldest existing sculpture in the state.

Dhauli
Dhauli
Elephant rock- Dhauli
Further ahead is the dazzling white peace pagoda built on a hillock by Japan Buddhist sangh in 1970’s. The pagoda has four large Buddha statues facing four cardinal directions. Also at the gate are the typical lion sculptures seen everywhere in Odisha.  Just at the backside of this pagoda is the ancient Shiva temple with large open space for gatherings during festivals.

Japanese peace pagoda
Japanese peace pagoda
 view from Japanese peace pagoda
Japanese peace pagoda
Japanese peace pagoda
Japanese peace pagoda
Shiva temple at Dhauli
Next we moved to a hamlet called Hirapur- famous for its 9th century Tantric temple of 64 Joginis- approx. 20km from Bhubaneshwar. It is a circular temple with no roof having 56 idols of different goddesses along the inner circumference and 8 idols along the central altar- the main being Kali. Almost all the idols here are either standing on animals/birds or demons. Many idols here have animal heads whereas some are the female counterparts of the male Gods such as Ganeshi- the female Ganesha.

Hirapur- chousath Jogni temple
Hirapur- chousath Jogni temple-  Ganeshi
Hirapur- chousath Jogni temple
Day 4:

Plan for today was to visit the Buddhist remains at Ratnagiri, Udaygiri and Lalitgiri in Jajpur district of Odisha- which together formed the ancient Pushpagiri University- at a distance of 80 km from the state capital.
These settlements date back to 5th century and the excavations here uncovered remains of a large stupa, two quadrangular monasteries and a massive monastery with a marvellously carved stone door jamb (frame). Closeby it also has a group of approx. 100’s of small votive stupas carved out of stone.

The site also has an ‘Archaeological survey of India Museum’ which houses the sculptures found here during the excavation.

Ratnagiri- Votive stupas
Ratnagiri- Votive stupas
Ratnagiri
Ratnagiri
Ratnagiri
Ratnagiri
Ratnagiri- carved stone door jamb
Ratnagiri- Buddha head
Ratnagiri- doorways inside the main structure
Ratnagiri
Ratnagiri
Udaygiri
Few kilometres from here is Udaygiri which is largest of the three sites but also the least excavated. The main brick stupa and a step well here are the main two attractions here other than the many votive stupas and small sculptures scattered here and there.

Due to shortage of time we couldn’t go to Lalitgiri which is supposed to be the most sacred of the three and also supposedly houses the relic bone of Buddha himself- but the structures there apparently are no match to the grandeur and beauty of the previous two sites.

Udaygiri
Udaygiri
Day5:

Today was the turn of the temple city itself- the city is considered to have more than thousand big or small temples; hence the name. The most important ones being- Lingaraj temple complex, Siddheshwar- Mukteshwar temple complex, RajaRani temple, Ananta Vasudeva temple, Vaital deul and parshurameshwar temple.
First we visited the 11th century Lingaraj temple dedicated to Shiva- one of the few ancient Kalingan temples still active. With 55m height of its shikhara, it is the tallest as well as the largest temple in Bhubaneshwar. This complex consists of 50 other small shrines. This temple is one of the greatest example of Kalingan architecture as it shows all four parts of a kalingan temple viz Vimana(structure containing the sanctum), Jagamohana (assembly hall), natamandira (festival hall) and bhoga-mandapa (hall of offerings). This temple complex has a strict no photography policy.

Mukteshwar- Siddheshwar
Next we went to the twin temples of Mukteshwar- Siddheshwar. Mukteshwar dates back to 9th century while the later belongs to 10th century. Mukteshwar is the only temple of such a large magnitude in Bhubaneshwar that has a torana- the gateway. It also has a water tank at its backside. Faces of the sculptures on the temple's exterior can be seen chipped off as a result of Muslim invasion in the area. This temple complex also hosts a number of other temples. Especially the ones exactly in front of the torana in a row make a picturesque panorama!
Mukteshwar- Siddheshwar
Mukteshwar- Siddheshwar

Mukteshwar- Siddheshwar complex







Interior shot of Mukteshwar

Mukteshwar- Siddheshwar
Parshurameshwar temple- dedicated to Shiva- built in 650 AD is probably the oldest amongst the Kalingan style temples. What makes it different from the other temples here is its two flat roofs on the mandapa one above the other and a series of clerestory windows between them. 


Prshurameshwar temple- Kartikeya sculpture
Parshurameshwar temple

Prshurameshwar temple- Mandapa interior
Parshurameshwar temple- Ganesha sculpture
Vaital deul- the temple dedicated to goddess Chamunda- is very different from all of these due to its south indian gopuram inspired shikhara and semi cylindrical shape of the roof with three pinnacles over it.

The 11th century Rajarani temple- arguably the most beautiful temple in Odisha, was our next stop. Rajarani temple on its external face has beautiful sculptures of Shiva-parvati marriage, Nayikas in different poses, the mythical dragons, dwarpals and others- which have unparalleled beauty anywhere in Odisha. Even though this temple is believed to be Shaivite in origin, it does not have any idol or lingam and is not an active temple.

Rajarani temple
Rajarani temple
Rajarani temple
Rajarani temple
Rajarani temple
Rajarani temple
After the much needed lunch break, we headed on the outskirts of the capital to visit Khandagiri and Udaygiri caves. The caves are of Jain origin and are largely plain with few ornately carved sculptures here and there. A visit to these caves after visiting the Rajarani temple feels meaningless initially- almost like having tea after eating sweets :D But one must not forget that the earliest caves here date back to 2nd century BC- almost 1000 years before the earliest Kalingan temple of Parshurameshwara. The number of existing caves here today is 33- the most important ones being- Hathi gumpha, ganesh gumpha, Rani ka naur etc. Ofcourse the cave everyone enjoyed the most was the Wyaghra gumpha (tiger cave) with the shape of open jaw of a tiger which is also at a height compared to the other gumphas.

Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves- Wyagragumpha
Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves
Khandagiri and Udaygiri caves- Machapuri cave
It was evening by now- and we were going to the most fun part of today's outing- the famous Nandan kanan zoo. First we saw a short film about the zoo at the reception area and then headed ahead to see the bears, white tigers, crocodiles and lions. Zoo also houses a small aquarium and a reptile park.


Nandan Kanan zoo
Nandan Kanan zoo

Aaj kuch jyada hi ghum liye they. We all needed a break. So we headed to the only mall in Bhubaneshwar (that time) for a pizza party.

It was late according to the Bhubaneshwar standard, so there was no one on the way while heading back to hotel. All the boys promptly formed a circle around the girls and guarded them safely back to the hotel :P :D

Day6:

All excited- we packed our bags the early morning as we were heading to the beach town of Puri. On the way we made a brief halt at the famous Pipli town- celebrated for its colourful fabrics and handicrafts. Pipli is a place which you won't miss on the way to Puri even if you would want to. If you see colourful umbrellas, lanterns and sunshades hanging on both the sides of road for a continuous stretch of half a kilometre, understand that you are crossing Pipli.
A sleepy bus ride got us to this equally sleepy town. Our hotel- Mahabir Shereton was situated at a perfect location on the C.T. road. The setting was pleasantly sunny, silent and quaint- A clean beach at the hotel's backside just added to this. :)


Post settling down in our rooms, we left for Raghurajpur- the famous artisans' village- the first heritage village developed by Odisha government which is 14km from Puri. It's a rectangular village with houses of the artists on both sides along its length and an open court between them with a small temple at one end of the court. 

Raghurajpur-artisans' village
Raghurajpur-artisans' village
The houses of the artists here are adorned with the Pattachitra paintings- for which the village is primarily known. The artists have also mastered other arts like- mask making, pepier mache, soap stone sculptures etc- and of course all of this is on sale for a comparatively cheaper price. I picked up three small soap stone sculptures from there of two nayikas – approx. 15-17 cm in height (you’ll find these voluptuous nartikas everywhere in Odisha- on the temples, in the shops, in traffic islands, paintings- everywhere!) and a sculpture of Buddha- all for around 180 bucks. You will easily spot artists even painting and making sculptures if you visit one of the houses- and trust me the villagers gladly welcome you and even teach you a couple of their tricks. Pattachitras done on the dried palm leaves are probably the most beautiful art form produced in the village- but them being extremely delicate I controlled myself from buying them.






Post a yummy lunch at the hotel, we headed for Konark to see the Great Sun temple. The temple is so so grand and so beautiful to really write anything about it. The temple awes you with its grandeur even in this broken dilapidated form- I can just imagine how it would have been in its full glory. Kalapahad as he is known- a muslim invader of Afghan army is believed to have destroyed the main sanctum of the temple (he's also responsible for the chipped off faces of sculptures seen in most temples of Bhubaneshwar including Mukteshwar)
Konark- Sun temple

Konark- Sun temple
The destruction of Sun temple is also blamed on the poor maintenance, attempts by kings and british to remove the sculptures from the temple exterior, as well as the saline winds from the adjoining seashore that continue to deteriorate the building even today- all this despite this temple being built latest of all the kalingan temples i.e. in 13th century. In 1903 the remaining Jagamohana structure was completely filled with sand and sealed off to prevent further damage also trees were planted to block off the saline winds from reaching the temple. It is largely believed that this structure won't exist a few generations down the line and attempt was being made by Odisha government to replicate the gigantic structure close by.

Konark- Sun temple
Konark- Sun temple
Konark- Sun temple
Konark- Sun temple
The main attractions here are obviously the idols of Sun God on four sides of the temple and the chariot wheels on both sides of the temple. The horse sculptures (originally built to make it look like them pulling the chariot) also can be seen lying around. The mithuna sculptures adorn the external walls of the broken natamandira. The massive Gaja-simha sculptures are located at the main entrance of the Natamandira. These gajasimha sculptures which are also one of the most common sculptures found all over Odisha are believed to depict an old dyeing man (conservative Hinduism) being crushed by an elephant(the emerging Buddhism) which is again attacked by a roaring lion(resurrection of Hinduism and collapse of Buddhism in India)

Konark- Sun temple- Hiranyakashap killing
Konark- Sun temple- erotic sculptures
Konark- Sun temple- idol of Sun God
Soon it was late evening and the beautiful temple was lit up with white flood lights- a must watch sight for every architecture lover.


Coming out from the complex, we again did some shopping for small soap stone sculptures (9 navagraha idols/10 dashawatar idols for 10rs :O) and then headed back to the hotel.

Some Junior-Senior ‘interaction session' continued in the hotel throughout the night..

Day7:

India's largest lagoon- which also happens to be India's largest saltwater lake- the Chilika lake was our today's destination. The lake is so massive that it occupies 1100sqkm area and spreads across three districts of Odisha- Puri, Khurda and Ganjam. Chilika is primarily famous for the endangered Irawaddy dolphins. The chilka ecosystem also hosts different species of animals and birds like- terrestrial birds, birds of prey, pythons and other reptiles, varied fishes, crabs etc.

A one hour boat ride of spotting dolphins finally lead us to an island at the mouth of the lake where it meets the waters of bay of Bengal. A beautiful sight indeed!

After a quick lunch there and collecting colourful shells on the sandy island, we headed back to the shore and then back to the hotel.







Day8:

Today was our last day in Odisha- time to go back. We all had mixed feelings about heading back- we were going to miss all the fun time spent together for last 8 days and will have to get back to studies as soon as we reach back, but we also desperately wanted to reach Mumbai and eat home cooked food. 
A quick stop before heading back to Bhubaneshwar to catch train was the Jagannath Puri temple- one of the Char Dhams- four most sacred temples in Hinduism- located at four different directions in India. [no, Kedarnath-Badrinath- Gangotri and Yamunotri are not the four dhams; they were just called so due to their close proximity from each other- probably for the comfort of tourism industry. The four dhams include Badrinath in Uttarakhand (North), Jagannath temple at Puri (East), Rameshwaram in Tamilnadu (South) and Dwarkadhish temple in Dwarka, Gujarat (west)]
The temple was built in 12th century by King Anantavarnam Chodaganga deva of Ganga dynasty and is very similar in appearance to the Lingaraj temple in Bhubaneshwar- almost the similar height, shape and temple parts. The complex also houses 120 small temples- the whole covering an area of over 4,00,000 sqft. 
While we were in Bhubaneshwar, just two days back, Jagannath temple was all over the news channels and papers due to the stampede that took place here which killed 4 and injured around 30 people. In two minds whether to visit the temple or no, we finally decided to go and at least see the external architectural part of the temple. 
We entered the temple from its Singhdwara from the grand avenue, and soon we realised the reason of the mess that happened here couple of days back. The temple premises were extremely stinky with ghee and oil all over the floor making it difficult for people to walk. A small push is all that's required for people to slip n fall down and others stamping on them in a crowded scenario. (don't know if the scene is still the same there) The self-proclaimed stinking holy men keep pulling you to perform the rituals with them and in turn exploit you for money- something that you must stay far off from! There is a strict no entry to Non-Hindus and also to the Hindus of Non-Indian origin.  
Sighting the maddening crowd inside the actual temple, we decided to do a pradakshina (and record its beauty in our eyes- as cameras are totally prohibited) to the whole temple instead and head back to our buses. For onwards journey to Bhubaneshwar railway station.
3:15 pm, the train arrived. Contrary to the mess at CST in Mumbai, we got our seats properly and soon the train left.
That night, some played cards- while many slept off!

Day 9:

Entire day in train.

Day10:

Post midnight Pune station arrived and some of us belonging to Pune got off. Due to the long halt there, we also got an opportunity to have a group photo on the platform of the station- our last memory of the amazing Odisha trip.
Around 3:45 AM, Dadar arrived.. and then some of us continued to CST...